EXPLORATIONS ART

I’m a synesthetic artist exploring multisensory experiences, tactile perception, and experimental moving image. 
My work centers on the body—not only as a subject, but as a tool for sensing, translating, and communicating. 
I’m drawn to the moments when senses blur and overlap, when touch becomes sound, or image becomes texture. These crossings open up a new language of expression—one that lives beyond words, and beyond logic.
 
Trash Lives

Silent Monologue of Childhood

Symphony Underground

The Body Keeps the Score

The Peach Blossom Spring

TRASH LIVES（2025）

print / sound / video


Trash Lives is a multi-sensory installation exploring memory, identity, and emotional attachment through discarded objects. Rooted in personal experiences of childhood, displacement, and the precarity of living as a cultural minority, the work transforms everyday “trash” into fragile vessels of remembrance and resistance.

The installation combines sound, moving image, and a hand-bound zine, Trash Diary. Each collected object is documented with its story, date, and emotional context. Sounds recorded from these items—wrinkled wrappers, paper bags, empty bottles—are visually translated into waveforms and converted into musical notes, forming intimate melodies that preserve the tactile memory of each object.

A cupboard structure, projection-mapped with abstract visuals derived from the artist’s synesthetic perception, acts as a fragmented archive of memory. By preserving what mainstream culture deems worthless, Trash Lives challenges dominant notions of value, reflects on the emotional survival strategies of those living at the margins, and asserts the right to hold on—to objects, to histories, and to the traces of self that might otherwise be erased.

Exhibiton:
AS BEYOND SO BETWEEN, All is Joy Studios, London, 2025